
Ann Powers
Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.
One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.
Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.
Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.
After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.
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At her first headlining shows in Nashville in a dozen years, Parton turned the Ryman Auditorium into the Church of Dolly.
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The 35-track It's Great To Be Alive!, recorded over three nights last year at the Fillmore Auditorium in San Francisco, will be out October 30. Hear the album's version of "Birthday Boy" now.
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Recent allegations that one of The Runaways was raped by the band's manager remind us that sexual exploitation is part of rock's foundation — and challenge the very idea that it is worth loving.
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Though it's sure to attract accolades like "pure" and "classic," the country star's 15th album never seems mired in the past.
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Films about music — including documentaries about Amy Winehouse, Nina Simone and Kurt Cobain — tend to focus on everything surrounding the ineffable art without delving deeply into its core.
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The Athens, Ala., native's pie-sweet drawl and fondness for Wilson Pickett-style shouts are a perfect fit within the classic soul settings he creates with producer Dave Cobb.
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A young singer who works in the mode of classic soul, Leon Bridges' songs are made with deep respect and bottomless affection, and his studied appropriations are so detailed that they come alive.
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Some of the places where we dig up sounds from the past are obvious, others obscure. Here are a dozen sources for diving deep into music history, shared by some of our favorite writers.
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There is a wealth of music, along with music-related artifacts and conversation, on the Internet, but the companies that control these vast resources don't always prioritize permanence.
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More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.