The political strategist Sarah Longwell has dedicated the last seven years to understanding why so many Republicans find Donald Trump irresistible, and how they might be persuaded to vote for someone else. Longwell is a lifelong Republican who became a leader of the Never Trump wing of the G.O.P., and her communications firm, Longwell Partners, has been running weekly focus groups including swing-state voters, undecided voters, and discontented Trump supporters. These are the people who might determine the winner of the 2024 election. “I think that Donald Trump has done more damage to himself with a lot of these people who held their nose and voted for him the second time; [after] January 6th, a lot of them are going to leave it blank,” Longwell told David Remnick. “At the end of the day, what this election will come down to is the Republicans who get there on Kamala Harris, and the ones who just refuse to get there on Trump.” Longwell publishes the political news site the Bulwark, and was also the first female national board chair of the Log Cabin Republicans, which represents L.G.B.T.Q. conservatives. Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Lake Street Dive recorded their first album with money that their bassist won in a songwriting contest. They built a following the old-fashioned way, touring small venues for years and building a loyal following of fans—including David Remnick—who thought of them as an under-the-radar secret. Almost twenty years later, the band finds themselves onstage at Madison Square Garden. “My main inspiration for playing M.S.G. is Billy Joel,” the bassist Bridget Kearney said. “It feels like the club when he’s playing there, because he’s so comfortable there. . . . Like, ‘Welcome to my monthly gig, here again at Madison Square Garden.’ It won’t be quite like that for us . . . but I’d love it if we could in some ways make it feel intimate, make it feel like it’s a gigantic dive bar.”They joined David Remnick in the studio at WNYC to perform “Good Together”and “Set Sail (Prometheus & Eros),” from their new album, and “Shame, Shame, Shame,” an older song about a Donald Trump-like “big man” who doesn’t “know how to be a good man.” Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

In 2024, all eyes are on Pennsylvania: its nineteen electoral votes make it the largest swing state, and it’s considered a critical battleground for either Donald Trump or Kamala Harris to win the White House. For many years, Pennsylvania trended slightly blue, but the state has become deeply purple—with a divided state House and a series of razor-thin margins in general elections. One notable exception to this was the 2022 Pennsylvania governor’s race. The Democrat Josh Shapiro won by almost fifteen points against a Trump-aligned Republican, and his approval ratings in the state remain high. “To win in Pennsylvania, you’re not winning with only Democrats,” Shapiro told David Remnick. “You’ve got to get like-minded Independents and Republicans.” Shapiro was on the shortlist of candidates for Harris’s pick for Vice-President—which may be the cause of attacks from Donald Trump, including one calling him an “overrated Jewish governor.” He spoke with Remnick to talk about Harris’s choice of Minnesota’s governor, Tim Walz, as her running mate, and what it takes for a Democrat to win Pennsylvania. “We’re a big state, but we’re still a retail state,” Shapiro said, “meaning you got to show up!” Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Patti LuPone has been a mainstay on Broadway for half a century. She’s appeared in some 30 Broadway productions and has won three Tony Awards for her roles in “Evita,” “Gypsy,” and “Company.” And somehow, LuPone’s career seems to be picking up steam in its sixth decade. Now LuPone is returning to Broadway in “The Roommate,” a play she’s starring in alongside Mia Farrow. At the same time, she is débuting in the Marvel Cinematic Universe, playing a witch in the miniseries “Agatha All Along.” The staff writer Michael Schulman first wrote about LuPone (in one strange, forgotten dead end of her career) in 2019, and recently spoke with LuPone at her home. Is it true, he wanted to know, that LuPone recently had Aubrey Plaza—her castmate on “Agatha”—for a short-term roommate? Plaza had been offered her first role in a play, as LuPone relates it, and “she'd never been onstage. I know from years of experience how it can shock you, what is required of you to be a stage actor.” LuPone, the veteran, “was concerned for her. I said, Why don't you just stay with me and let me walk you through this as you come home like a deer caught in the headlights. … I did do her laundry, and I did make her soup.”

Of the sixty-five lawsuits that Donald Trump’s team filed in the 2020 election, Democrats won sixty-four—with the attorney Marc Elias spearheading the majority. Elias was so successful that Steve Bannon speaks of him with admiration. Now Marc Elias is working for Vice-President Kamala Harris’s campaign, and, despite his past victories, Elias says that 2024 is keeping him up at night. The bizarre antics and conspiracy theories of Rudy Giuliani are a thing of the past, Elias tells David Remnick: “We should all expect that they are more competent than they were before. And also Donald Trump is more desperate than he was before. … He faces the prospect of four criminal indictments, two of which are in federal court.” Election-denying officials are now in power in many swing states; Trump has publicly praised his allies on state election boards. Elias fears the assault on the democratic process could be much more effective this time. Still, some things don’t change. “I believe Donald Trump is going to say after Election Day in 2024 that he won all fifty states—that there’s no state he didn’t win,” Elias says. “That is just the pathology that is Donald Trump.”

“I like to look at places that people aren’t seeing,” says Ian Frazier, the author of “Great Plains” and “Travels in Siberia,” and the new “Paradise Bronx: The Life and Times of New York’s Greatest Borough.” “Not only do people not know about” the Bronx, “but what they know about it is wrong.” The book, which was excerpted recently in The New Yorker, came out of fifteen years’ worth of long walks through the city streets, and on a hot morning recently, he invited a colleague, Zach Helfand, to join him on foot. They admired the majestic Romanesque-style stonework of the High Bridge, where Edgar Allan Poe would walk while mourning his wife, in the eighteen-forties; the impressively tangled connections of the interstate highway system that engineers once called “chicken guts”; and walked east to the Cedar Playground, which has a strong claim to being the birthplace of hip-hop. Note: The segment misstates the year Edgar Allan Poe moved to the Bronx. Poe moved to New York City in 1844, and to the Bronx in 1846.

In fiction and nonfiction, the author Danzy Senna focusses on the experience of being biracial in a nation long obsessed with color lines. Now that Kamala Harris is the Democratic candidate for President, some of Senna’s concerns have come to the fore in political life. Donald Trump attacked Harris as a kind of race manipulator, implying that she had been Indian American before becoming Black for strategic purposes. The claim was bizarre and false, but Senna feels that it reflected a mind-set in white America. “Mixed-race people are sort of up for debate and speculation, and there’s a real return to the idea that your appearance is what matters, not what your background is or your identity,” she tells Julian Lucas, who wrote about Senna’s work in The New Yorker. “And if your appearance is unclear to us, then we’re going to debate you and we’re going to discount you and we’re going to accuse you of being an impostor.” Senna talks about why she describes people like herself and Lucas using the old word “mulatto,” despite its racist etymology. “The word ‘biracial’ or ‘multiracial’ to me is completely meaningless,” she says, “because I don’t know which races were mixing. And those things matter when we’re talking about identity.” Senna’s newest novel, “Colored Television,” follows a literary writer somewhat like herself, trying to find a new career in the more lucrative world of TV.

In honor of what is for many people the final days of summer, the New Yorker Radio Hour team presents a conversation that may inspire your end-of-summer reading list: David Remnick talks to Hernan Diaz about his book, Trust, which won a Pulitzer Prize in 2023. The novel’s plot focuses on the daughter of eccentric aristocrats after she marries a Wall Street tycoon of dubious ethics during the Roaring Twenties. The novel is told by four people in four different formats, which offer conflicting accounts of the couple’s life, the tycoon’s misdeeds, and his role in the crash of 1929. “What I was interested in, and this is why I chose finance capital, I wanted a realm of pure abstraction,” he tells David Remnick. Diaz’s first book, In The Distance, will be released in hardback for the first time in October.

This program is drawn from a new season of the award-winning investigative podcast In the Dark. On a November day in 2005, in the city of Haditha, Iraq, something terrible happened. “Depending on whose story you believed, the killings were a war crime, a murder,” the lead reporter Madeleine Baran says. “Or they were a legitimate combat action and the victims were collateral damage. Or the killings were a tragic mistake, unintentional—sad, but not criminal. Basically, the only thing that everyone could agree on was that twenty-four people had died, and it was marines who’d killed them.” Season 3 of In the Dark looks at what happened that day in Haditha, and why no one was held accountable for the killings. Baran and her team travelled to twenty-one states and three continents over the course of four years to report on a story that the world had largely forgotten. Episode 1 airs this week on The New Yorker Radio Hour, and you can listen to the rest of the series wherever you get your podcasts.

At the Republican National Convention in July, a platform plank in place for decades that called for a national abortion ban was removed—right at the moment that such a ban has actually become legally possible, after the Supreme Court’s Dobbs decision. Donald Trump has tried to distance himself from hard-line pro-life positions, saying that abortion rights sitting with the states “is something that everybody wanted.” The New Yorker’s Washington correspondent Susan B. Glasser explores the tension within the Republican Party and speaks with David Remnick about her reporting, including an interview with Representative Matt Rosendale, of Montana. A hard-liner dismissive of pragmatic compromise, Rosendale believes that life begins at conception, and he is challenging his House Republican colleagues to vote their convictions and ban in-vitro fertilization.