Juana Summers
Juana Summers is a political correspondent for NPR covering race, justice and politics. She has covered politics since 2010 for publications including Politico, CNN and The Associated Press. She got her start in public radio at KBIA in Columbia, Mo., and also previously covered Congress for NPR.
She appears regularly on television and radio outlets to discuss national politics. In 2016, Summers was a fellow at Georgetown University's Institute of Politics and Public Service.
She is a graduate of the Missouri School of Journalism and is originally from Kansas City, Mo.
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Loud Sound Studios is home to two of Rwanda's up-and-coming hip-hop acts: Pro-Zed and Kenny K-Shot.
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Akagera National Park in eastern Rwanda was hard hit by the violence of the country's genocide. For a time, the park floundered — but it's now flourishing.
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It's been 30 years since the Rwandan genocide. In some places today, survivors live side-by-side with perpetrators in so-called reconciliation villages. -
Paul Rusesabagina, whose life inspired the movie Hotel Rwanda, and his daughter, Anaise Kanimba, have been vocal critics of Rwanda's current president, Paul Kagame.
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Basketball is gaining popularity in Rwanda. We chat with a few players and fans to learn why.
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Three Rwandans under the age of 25 — Ornella Ineza, Kelvin Rwihimba, and Crispin Iradukunda — reflect on what it's like to grow up in a country that's been shaped by a genocide.
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It's been 30 years since the Rwandan genocide began in 1994. In some places today, survivors of the genocide live side-by-side with perpetrators, so-called reconciliation villages.
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Decades after a genocide that killed nearly 1 million Rwandans, NPR visits a church that was the site of a massacre where 7,000 people were killed, and talk to one man who perpetrated crimes there.
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The Nkamira Transit Center is home to thousands of refugees who fled violence in the eastern Democratic Republic of Congo. The decades-long conflict is a legacy of the 1994 Rwandan genocide. -
NPR's Juana Summers speaks with Desiree Evans and Saraciea Fennell about their anthology of horror stories from Black writers with the racial and gender representation they've longed for in the genre.
