
Lars Gotrich
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Summer feels infinite, but also rushed in its impermanence. Roséwave bottles that infinity with a soundtrack that spans generations and genres of music.
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For nearly four decades, the band has terrorized planet Earth with its raucous stage shows, raunchy metal songs and grotesque satire. GWAR finally came to destroy the Tiny Desk, once and for all.
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Dreams in Splattered Lines refines the long-running noise band's approach to cinematic horror: still gross and grueling, but painted in thicker strokes of neon gloom.
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Threadbare demos on a new reissue of 1998's Overcome by Happiness illuminate Joe Pernice's songwriting paradox: Brill Building pop woven from homespun scruff, sarcastic but always sure-footed.
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The singer and co-founder of the psychedelic group died at home in São Paulo.
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The minimalist English octet stresses a communal spirit in its Tiny Desk performance.
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With a who's who of forward-thinking guitarists, Bill Orcutt brings his ecstatic minimalism to the Tiny Desk.
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The New Zealand band writes sparkling indie pop underpinned by empathy. At the Tiny Desk, you can hear that support and camaraderie in the band's stripped-down arrangements and dry banter.
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As they have every year since 1986, members of the Hall will select from a group of nominees – though these days, the nominees tend to represent a wider spectrum of popular music.
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When the words in a song hit you in just the right way, they can stay with you. We're asking the folks at NPR Music: What lyrics did you hear in 2022 that you just couldn't shake?