Rodney Carmichael

Rodney Carmichael is NPR Music's hip-hop staff writer. An Atlanta-bred cultural critic, he documented the city's rise as rap's capital outpost for a decade while serving as music editor, staff culture writer and senior writer for the alt-weekly Creative Loafing. During his tenure there, he won awards for column writing, longform storytelling, editing and reporting on cultural issues ranging from gender to economic inequality. He also conceptualized and co-wrote "Straight Outta Stankonia"—an exhaustive look at Atlanta's gentrifying cultural landscape through the lens of OutKast—which was voted as one of the Atlanta Press Club's Top 10 Favorite Stories of the Past 50 Years.

A former Poynter Fellow for Young Journalists, Rodney started his professional career in Waco, Texas. He was enticed by the opportunity to cover religion in the same small town where the infamous Branch Davidian standoff occurred almost a decade earlier. What Waco may have lacked in charismatic cult leaders during his time there, it made up for with plenty of rich stories, and people, that enabled him to explore the cultural crossroads at the center of the Southern Baptist stronghold. He was nominated Rookie of the Year within the Cox newspaper chain for his coverage of religion, health and social services.

Rodney returned to Atlanta and enrolled in his alma mater, Georgia State University—where he'd previously earned a bachelor's degree in journalism and playwriting—to pursue further studies in cultural communications, with an emphasis in hip-hop studies. He was enamored by a new wave of scholarship from the likes of Tricia Rose and Mark Anthony Neal that paired hip-hop criticism with urban sociology and cultural ethnography. It would influence his approach to writing and criticism, even after ditching academia to return to journalism. After covering red carpets (BET Awards, MTV VMAs) and interviewing big names ranging from Quincy Jones to Rick James during his three-year tenure at the fast-paced urban weekly Rolling Out, his passion for storytelling called him to the alt-weekly world. During his first five years at Creative Loafing, he entrenched himself in local music coverage as music editor. He put a young Janelle Monae, already talented beyond belief, on her first cover for the publication's annual music issue. He watched Bankhead, the disadvantaged neighborhood on Atlanta's west side, become the epicenter of a sonic snap-and-trap boom that would overtake the nation and, eventually, the globe. He oversaw coverage of the scenes from the ground-up, as they emerged and submerged around an ever-evolving soundscape of micro-genres and spinoffs.

During the next half-decade, Rodney dug deeper by covering the city's music and culture scenes with an anthropological bent, historical arc and a critical eye. As the city began to be reshaped by cultural upheaval and shifting socioeconomics, he focused on Atlanta's creative economy—expanding from music to include film, TV and tech—and the ways it impacts the character of a city that has long grappled with its identity as a New South gateway, black mecca, human rights hub, strip club capital and hip-hop hotbed. Rodney attempts to make sense of that nexus and all the intersecting identity politics. Now, covering hip-hop from a national perspective at NPR, he's working to expand that lens with regionally-focused coverage. The stories he tells combine reporting, storytelling and criticism to focus on race and place, industry and economy, as well as issues around social justice and its impact on communities of color. As rap music has now risen to become the most popular genre in America, he keeps his ears and eyes trained on hip-hop's indigenous communities and the influence they bear on America's long, storied relationship with black cultural production.

As an art form, sampling has been evolving for 35 years now. That's about how long ago it's been since the legendary producer Marley Marl revolutionized hip-hop production when, almost by accident, he figured out how to sample a drum beat from an existing record. It makes this a perfect time to look at the legacy, but also the trajectory, of sampling through a handful of snapshots.

As the coronavirus outbreak continues to spread, prisons and jails remain some of the most vulnerable places for its transmission.

New York City jails are dealing with an outbreak of their own: The Department of Corrections told NPR it's dealing with 364 confirmed cases among inmates and already has two deaths as of April 16.

Rikers Island Jail is the city's most infamous facility. Prisoner Daryl Campbell is currently under quarantine after another inmate came down with a high fever.

The last decade of music saw major artists break many of the rules about how to release an album. Beyoncé and Drake popularized the "surprise release" — putting out albums with little to no roll-out at all. So in the era of surprise digital drops, and at the beginning of a new year of music, how do you make predictions about what's coming?

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Updated at 9:05 p.m. ET

Grammy-nominated rap artist, entrepreneur and community philanthropist Ermias Asghedom, better known as Nipsey Hussle, was shot and killed Sunday. His death was announced on Twitter by Los Angeles Mayor Eric Garcetti. Nipsey Hussle was 33.

The Los Angeles County Medical Examiner-Coroner's office confirmed Monday that he died of gunshot wounds of the head and torso.

For the last two years Tank And The Bangas have been so busy trotting the globe, becoming festival favorites and making new disciples with every mesmerizing live show, that releasing a new album almost seemed secondary.

But, finally, the wait is over.

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Lots of new music dropped this week. And in case you missed it, don't worry. We've got you covered. My colleague Rodney Carmichael stopped by to share some of his thoughts on two new albums.

(SOUNDBITE OF SONG, "THINGS I IMAGINED")

This is NPR Music's live blog of the 2019 Grammy Awards. The telecast of the awards show is scheduled to run from 8:00 until 11:30 p.m. ET. We'll be here the whole time, updating this post with every award or performance.

On a sun-baked intersection of Ponce de Leon Avenue, a street named for the Spanish colonizer whose false claim to fame was discovering the fountain of youth, sits one of the most conspicuous cultural attractions in Atlanta. Mister Car Wash may be the busiest destination of its kind in a Southern capital where car washes are outnumbered only slightly by churches and chicken wing stops. It also happens to be the location of a pivotal pit stop in the rapid rise of one of hip-hop's brightest new stars.

Earl Sweatshirt calls himself "a surviving child star" in a press release announcing his new album, Some Rap Songs, out Nov. 30. It's not a label typically applied to prodigies in hip-hop, where being washed before you're old enough to legally drink isn't at all abnormal.

It's been little more than a year since Tyler, the Creator emerged fully formed from post-adolescence to deliver a surprisingly mature quarter-life crisis LP. But if 2017's Flower Boy left fans wondering whether the young visionary Odd Future was losing touch with his inner child, fear not. Just in time for the holidays, he's returned like Secret Santa with a bag of unexpected goodies.

It took an elaborate satire for two of hip-hop's biggest acts to address the elephant in the room of rap.

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Video director Dave Meyers has long been synonymous with hip-hop's most mind-bending visuals.

One week after Kanye West turned SNL's season premiere into a political fiasco, his long-time protégé and collaborator Travis Scott delivered an SNL set this week that made music the top priority. Despite his mentor's erratic album rollouts this year or Scott's high-profile relationship with Kylie Jenner, the only hype surrounding his LP Astroworld has been strictly about its critical and commercial performance.

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Copyright 2019 NPR. To see more, visit https://www.npr.org.

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Copyright 2018 NPR. To see more, visit http://www.npr.org/.

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Please note: The album below contains explicit language.

Just when it seemed June couldn't get any hotter for lovers of rap and R&B, the inevitable has finally happened: After a collaboration built on musical legacy and love for the past 15 years, Beyonce and Jay-Z have released a joint album as The Carters.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

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Sometimes, good music is not enough. Not even for Kanye West, the musical genius and G.O.O.D. Music mogul who stooped, and fell, to cretinous levels in the eyes of many fans this week.

Forget that old adage about hip-hop being a product of the streets. Nowadays, if you really want to keep your finger on the pulse, you better follow the tweets.

Consider the events this week in rap as exhibits A, B, C and D: In the last five days, three of the biggest, most elusive names in rap have taken to social media to tease fans with forthcoming album release dates, while rap's reigning G.O.A.T. collected the big cheese.

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