Tim Greiving
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A Black avant-garde musician has successfully applied his visceral, voice-centered style to the films he has scored lately. His approach eerily suits the newest Candyman movie.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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Darren Aronofsky's 2000 film Requiem for a Dream spawned a musical motif that's rippled through media — and jumpstarted a new career for Clint Mansell, the composer of its haunted score.
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Jones is the first African American woman ever nominated for an Emmy for an original television score. She got her start because producer/writer Lena Waithe took a chance on her.
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The first woman composer to win an Oscar for best original score is releasing her first album of music not written for a film or stage production.