Nate Chinen
[Copyright 2024 WRTI Your Classical and Jazz Source]
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This year's unmissable jazz releases came in two flavors: breakthrough releases by driven young newcomers, and a heap of unearthed treasures from the vault.
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A saxophonist of otherworldly gusto, two pianists of impulsive eloquence and a critic with a pen nearly as sharp as his ears are the latest selections for the the nation's highest honor for jazz.
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The adult contemporary star, who became a reluctant giant of smooth jazz in the 1980s, died on Sunday after a six-year battle with prostate cancer.
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The composer and percussionist was "shocked beyond belief" after hearing the news on Monday afternoon.
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Two of the new Grammy categories reflect trends that are booming among musicians and the industry.
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An impromptu jam of "Compared to What" gave McCann a career-defining moment at the 1969 Montreux Jazz Festival.
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The best jazz albums of the year feel supercharged with the spirit of discovery, but also offer revelations — both comforting and challenging — the deeper you dig.
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Themes emerge quickly when you dig into the nominations for the 66th Grammy Awards. The major categories are dominated by women and seemingly up for grabs; elsewhere, progress is not always so clear.
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New albums by Jon Batiste and Louis Cato arrive with high expectations. Both — as their experience leading led the band at Stephen Colbert's The Late Show has proved — are stellar live performers.
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The composer, in a new collaboration with the Grammy-winning choir The Crossing, uses the words of Jeff Bezos and William Penn to explore connections among farming, colonialism and capitalism.